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Influencerns panik: "Jag har fått mask" ▶・
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Pavel Cibicki: Jag är skyldig ▶・
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Skid-Sveriges beslut sågas: ”Ser skämmigt ut” ▶・
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Nilsson) kommer från Leipojärvi utanför Gällivare. Han är utbildad på JMK i Stockholm och har jobbat på Sportbladet sedan 2018. Han är reporter med ishockey och längdskidor som sitt primära bevakningsområde.","email":"[email protected]","image":{"@context":"https://schema.org","@type":"ImageObject","url":"https://images.aftonbladet-cdn.se/v2/images/author/0fe4a4f9-ff14-4ac8-9abc-4e04bf7ba698?fit=crop&format=auto&h=100&q=50&w=100&s=296495172a3af866e78e0793af52051756784c1c","height":100,"width":100},"name":"Jonathan Knekta","sameAs":["https://twitter.com/kanonathan"],"url":"https://www.aftonbladet.se/av/jonathan-nilsson"}],"mainEntityOfPage":"https://www.aftonbladet.se/sportbladet/a/yEV0eg/gabriel-strids-tuffa-traningsupplagg-ett-vasalopp-om-dagen","isAccessibleForFree":true,"@context":"https://schema.org","mentions":[{"@context":"https://schema.org","@type":"Thing","url":"https://www.aftonbladet.se/tagg/langdskidor","name":"Längdskidor"}]}] ▶・
Från gallerirundans scengolv ▶・
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Festa med Henrik Brandão Jönsson och Victor Malms twitterfeed ▶・
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💥EILMELDUNG! SCHOLZ STÜRZT AB! AFD IN UMFRAGE AUF ERSTEM PLATZ!💥 ▶・
Travis Kelces bror kastar häcklares mobil i marken ▶・
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Drink along Norén på Folkteatern i Göteborg ▶・
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Nu aktuella ”Tyrannen” är hennes bokdebut.","contentUrl":"https://images.aftonbladet-cdn.se/v2/images/6be2123e-c65f-41aa-8e74-4fb37d158492?fit=crop&format=auto&h=776&q=50&w=1400&s=6ba4baeb8f02c016607a7107b63546a63a663033"},{"@type":"ImageObject","url":"https://images.aftonbladet-cdn.se/v2/images/6be2123e-c65f-41aa-8e74-4fb37d158492?fit=crop&format=auto&h=831&q=50&w=1500&s=eb9c5b8c815432cd3631b8fdac86abaae469e59a","width":1500,"height":831,"caption":"Diana Olofsson är journalist och har bland annat arbetat på SVT:s ”Agenda”. Nu aktuella ”Tyrannen” är hennes bokdebut.","contentUrl":"https://images.aftonbladet-cdn.se/v2/images/6be2123e-c65f-41aa-8e74-4fb37d158492?fit=crop&format=auto&h=831&q=50&w=1500&s=eb9c5b8c815432cd3631b8fdac86abaae469e59a"}]},"reviewBody":"Vad hände egentligen mormor Karla under hennes uppväxt i Hitler-tyska Lübeck? Diana Olofssons skrivna svar på den frågan är bitvis gripande och saknar inte intressanta ingångar. Vad trauman i barndomen gör med vuxna. Hur våld och psykisk misshandel kan föras vidare mellan generationer. Hur barnuppfostran i Tredje riket egentligen såg ut,vilka idéer som styrde den och hur den påverkade de miljontals krigsbarnen. Titelns ”tyrann” är till exempel inte diktatorn eller de misshandlande föräldrarna,utan det lilla barnet som tillåtits förvänta sig ömhet,åtminstone enligt den nazityska uppfostringsgurun Johanna Haarers teorier. Tyvärr förvaltar inte boken dessa ansatser. I stället för att sätta Karla i centrum väljer Olofsson att urtråkigt släpa oss igenom sin egen researchprocess. Att låta metahistorien bli historien kan i vissa utsökta undantagsfall fungera,men då behöver jakten på svar vara en riktig jakt,där ett svar leder vidare till nästa. Gärna spännande och dramaturgiskt välkomponerat. Så är inte fallet här. Det är inte direkt några äventyr Olofsson är med om. Hon ringer,läser,kurar,springer och funderar. Hennes närvaro i texten är nästan uteslutande en allt annat än betydelsebärande barlast som en halvskarp redaktör omedelbart hade strukit ur en journalistisk produkt: ”Jag har förberett frågorna till Ilka på ett café och bokstavligen hällt i mig en stor latte som innehöll för mycket koffein. Mitt hjärta klappar snabbt.” ”Efter samtalet lägger jag mig på soffan och stirrar i taket på den gamla fläkten …” ”Jag sitter vid ett enkelt träbord nära ett fönster …” Att låta metahistorien ta över historien är ibland en mediedriven nödvändighet. När ”Uppdrag Gransknings” reportrar tillbringar 93 procent av en sändningstimme med att sitta och ringa i sina bilar,är det inte nödvändigtvis för att det är bra tv – det är bara tv,och något måste man visa på skärmen. Inga motsvarande behov finns i en text. Varför det ändå blivit så här är tämligen uppenbart: Det Olofsson vet om sin mormors uppväxt och hennes familjs trauman är helt enkelt för lite för att fylla utrymmet mellan två pärmar. Mycket är utfyllnad,och det märks. Valet att göra författaren till dramaturgisk motor i boken har dock tyvärr också bieffekten att det hela tiden accentuerar för läsaren att hon inte kan något om bokens ämne. Researchen tycks ske parallellt med skrivandet,till synes godtyckligt och slumpartat: ”Så hittade jag en dag den där specifika artikeln. Jag minns att jag fick upp den i min telefon av en slump efter en sökning.” Greppet att låta författaren möta varje ny faktauppgift med storögd förundran lämnar mig som läsare utan vägledning. Är det som presenteras,till exempel om anknytningsteori,viktigt? Är det etablerad konsensus inom forskningen,eller bara teorier som författaren råkat stöta på? Urvalet känns urskiljningslöst snarare om omsorgsfullt. Stefan Sundström spelar en låt om svart pedagogik på radio – det ska med. Arnold Schwarzenegger berättar om sin uppväxt på Netflix – det ska med. Malena Ivarsson poddar om Jung. Det ska jävlarimej med. Mot slutet känner jag bara irritation. Jag vill inte luras att lägga timmar av mitt enda liv på en historia som gått att berätta på 20 minuter. 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Kristersson sågas av Andersson: "Barn dras in i mord" ▶・
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💥EILMELDUNG! VOIGT STÜRZT IN UMFRAGEN AB! AFD STIMMEN EXPLODIEREN KOMPLETT!💥 ▶・
💥EILMELDUNG! VOIGT STÜRZT IN UMFRAGEN AB! AFD STIMMEN EXPLODIEREN KOMPLETT!💥 ▶・
Efter Putins TikTok-kupp, nu ställs valet in ▶・
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